I use the simplest stuff at this point. Drum machines and that stuff, I got all that. But it’s funny—I still make my beats in Garage Band. It’s the most simple platform you can use to create music. It’s just something I got comfortable using. I got Pro Tools, I got other programs, I can make a beat on a drum machine just as easily, but I’m just used to Garage Band. I know it like the back my hand, it just works for me.
I was very supportive of Kanye’s experimentation on paper, I just think it’s a failed experiment.

-Noz (in 2009)

the amount of time bruh’s perfectly summed up exactly how i felt about something having to do with rap is amazing to me…

"Whether a penny or quarter a wish is still a wish

cause I’m the one that they can’t catch, bigger fish.”

read some writing about music

then check this song out mayne (do it!!)

comin’ at you (via Noz @ Fader)

…There the selling point becomes “hey check out this boring guy who raps great” and not the “hey check out this chill bro who wears shoes and smokes weed just like we do” line that kids on the internet constantly use to prop up so many mediocre and lifeless emcees. (And, no, pretty talented shouldn’t be enough to cut it. We need to demand mind blowing, life changing, grand talents.) I worry that some listeners are using boring rap as a coping device to gloss over their own boringness. If you can’t break out of your mediocrity, own it. And then find someone greater than mediocre to keep you entertained. Just because you’re boring doesn’t mean you have to be bored…

Noz via (Tumblin’ Erb)


(Source: emaciatedwildebeest)


(via noz @ cbraps)

The defining factor of the Clipse/Re-Up hot streak – two near perfect albums and two classic mixtapes – was how insular their vision was. From out the gate they nailed this mournful future apocalyptic drug dealer aesthetic and stuck to it. On the rare occasions they had guests from outside the camp – Jermaine Dupri, The Lox, Slim Thugga – they pulled them into the world of the Clipse, not the other way around. When they rapped over other people’s beats they were relatively obscure ones, clearly hand picked to cater to their style (See: Nas‘ “You Know My Style,” Show & AG‘s “Next Level,” and even the big/only WGIFC 3 standout – Jim Jones’Emotionless“) Doing this – creating your own tiny universe – should be the highest aspiration for any artist. This is why Pusha’s recent turn as Kanye’s Louie bag boy has been so frustrating. It pulls him down to the level of just a rapper, not a member the esteemed Clipse. Suddenly he’s doing trap/yacht rap with Rick Ross or rhyming over “Speakers Going Hammer” Some might call this branching out but I call it caving in. Who knows though, maybe that’s what needs to happen in order for him to sell records. I doubt it.

There might even be a simpler explanation for his relative malaise – maybe he just needs The Neptunes. The Clipse (or half the Clipse) without the Neptunes is always going to feel like a Guru solo album (RIP GURU THO BUT YOU KNOW IT’S TRUE). On first listen this single Tunes banger is the only thing on Fear Of God has me feeling anything more than a nebulous “it’s aight” kanyeshrug response. And in todays over-saturated market “aight” is a more damning analysis than, say, “fuck this shit!” and certainly a low point for a guy who was once one of rap’s most moving artists. Anyway Fif sounds good as hell here too and it’s very exciting to hear him pulled into the aforementioned Clipseverse. One of the many perks of his fall from commercial grace is that it puts him on a level where he can do small records like this, non-hits with talented rappers for the fuck of it. And Pharrell does something close to an Ab Liva impression on the hook which is just weird.

speaking on Pusha T - Raid (Feat. 50 Cent & Pharrell)


(via noz @ cbraps)

Once major concern about the sudden ascension of Odd Future is that it might prove to stifle their creativity. The theory is that an early buzz period has the tendency to leave young artists in a state of arrested development. They might feel like they’ve already “made it” when their sound and swag is still in its early developmental stages. But to worry of such things is to ignore the rapid improvement that Hodgy has been showing in recent months – as a studio rapper, as a performer, as a personality. The difference between his appearance at the first New York show and Hodgy a few weeks ago in Philly is immense. From wallflower to riot starter in a matter of months. (Though admittedly there’s still plenty of room for improvement in terms of actual on stage rapping from the entire crew, as anybody watching the recent SXSW clips with a critical eye has noticed. Hopefully that will come with time.) On here, as well as this random track they’ve been performing, he’s really toying with fast flows in was he hasn’t in the past. When I talked to Hodgy for the Billboard piece one of the few things he mentioned (when he wasn’t in a deep internet gaze or getting intimate with the fan made Odd Future bong that was bestowed upon him earlier in the night) was that he’s a big Yelawolf fan. This can only be seen as a positive influence. Casey offers a nice laid back counterpoint to Hodgy’s chops and I’m loving the Hawaiian shirt vibes of Left Brain’s beat (actually those flutes are feeling a little Freestyle Fellowshipish in their own right. Like many Odd Future songs this one has absolutely nothing to do with rape, homophobia or satanism.

speaking on Mellowhype - Less (feat. Casey Veggies)


Don’t watch me, watch my blog on TV. Shouts to The Grid and @YoungAmerican.

blame me...for everything.

Creekside Sounds
Creative Director
Music Producer
San Antonio, TX

lowercase L not an uppercase i

tumblr site counter